10 June, 2005

Cloud Study

Seraph spread over
water weightless
in this strange light
-ning is how they talk,
sonar blips walk out
across the horizon

05 June, 2005

Teacher

Lightning radiates
heat of stopped seconds
over black beach

The lake asks no questions

It allows me to ask
lightning
its exclamation

Shoreline

Reveal the light of the lake,
its relationship to the sky, its shape
wobbles moving down the edge of a knife.
Ultraviolet sinks into the warm black sand,
flat as linen. The beach throbs like a heart.
With each wave moments are marked.
Light recedes from shoreline slowly,
rolling back, line by line. Ripples
drag back and forth over velvet
The water is so bright!

02 June, 2005

Elder Lane Beach

Could I get back to shore from here?

If there are waves,
there is only the sound of waves.
I cannot see Michigan
or the water under me.

From the bottom of the lake,
tide comes beneath the mist..
Humidity is the lake
wrapping its arms around the city.

There is nothing out there
on the vaporous waterfront.
It recedes to a thin line.
What is the curvature of the earth?

I kneel on concrete, riddled with sand
crunching in the bottom of my shoes.
Wet stone on my hands
cold as the bottom of the lake.

This is what painting is searching the unseen
                                                  unable to move forward
                                                  unwilling to take the risk
                                                  looking out.

No one has been here before,
kneeling on a dock that stretches out so far.
No one would hear me, were I to fall.
Shaky steps lead me out to the edge.

I hear my breathing like waves
rolling over the beach and under the quay.
Is it night or storm-covered day?
The water is all around me.

The lake is the only light.
Mist as big ask the sky.
The sky is a lake,
sweeping over.

It’s safer ashore, where the trees hide
lights in cavernous foliage
sprinkler systems are percussion
in the quiet haze of empty roads.

This is what painting is staring at the uneven shoreline
                                                  studying nothingness
                                                  unsure whether to advance
                                                  to go into the dangerous space

Silence is only the absence of noise
The gray is deafening.
Is there a horizon?
Is the water separate from the sky?

This is what painting is standing at the edge
                                                  no police officer’s flashlight
                                                  to call me back to shore
                                                  groping for anything

This is all there is,
two feet standing on a metal grate
above waves in a luminous night.
This is all I have.

Without the moon, sky or lake,
I am exactly where I am,
with no past or future,
looking into what cannot be seen.

I am painting every time
I close my eyes.

15 May, 2005

The writer

came and sat down next to me
addressed me as “Steve,” not “Stephen”
lifted me vertically from street to sill
showed me the undulating floor half-open inner door
didn’t stop
near her old house in Dublin, where
lemon yellow strings of curtain smash against blue brick
elbows propped up next to mine
in the middle of her Russian Week
hit me with her day after day after day
was the poorest person in the room
cycled out to Marino
that I’m alone in her old house
that I’ve never seen
that was derelict space
that I’ve never been to Dublin
that I’m waiting for my mother to come back
that my face detached like a white petal
and floated toward her
spoke because she needed to

13 May, 2005

First Light in America

is not the sun but
Atlantic gray

Four streetlight spears
on South Main St. shove
buildings forward

muted red brick
haloes over fledgling maples
clouds cross the sky

Lavender morning is concrete
bleached from black
now rotting apricot
peeking pink

haze settles over Spring
sinking
into thatched roofs
the same blue

like a symphony
in the bright trees
crescendo pushes pink aside
its great march
sky astride

sun strikes horizon
spikes yellow thru white

12 May, 2005

The Body is a Naked Fact

feet print wet on wood
charred sauna       leaks down
his chest
smolder red       sweat beads at his       upper lip

water plunges across faucet         explode clear
spiral over skeleton
suds descend   spine’s
                     curve
                       the way cars creep
                      at steep hills

he comes close squeezes blue gel into his hand
   staring at my back
it would take nothing   reaching out         to touch him

watching
   for certain lengths of time

       we stand
                   full frontal
  taking the body in

terry cloth then rubs
       down shins        hairs stand on end

dry my face to lift the towel
            opening up              to show him
watching each other stare
     sublime

standing Greek
     ancient anyone
anonymous and nude
breathing
        like marble

Andy

Lines ticked under our tires
as I biked behind his tight jeans
the way he pumped his legs
down into the pedals.

Wrestled into armpits
backs of knees
swimming trunks hovered under water
Our bodies were so warm.

We lay out on his roof in the summer
I rest my head against
his cheek
We talked about nothing.

Windows fogged over
flesh against raw wood
I made his portrait as he
read on my bed.

We sat at the stern
shirtless, at ease
Sailboat watched Lake Michigan over moonlight
We couldn’t even see the city.

When I was very young,
I stole the syrup, frequently
I sucked it
cold and thick
right out of the bottle.

06 May, 2005

Cigarette

buds are electric lights on trees
breathe street lamp peach
shards through mouth-steam

rain
vivid on the stone
trees are sodium orange
with rust leaves

fence a shining grid
picketing damp road
sidewalk cobbled together
by crows